It was in recording these demos that the band worked out the backing track arrangements for all the songs (with the exception of "Take the Long Way Home") and determined the order in which they would appear on the album. Tempo: variable (around 144 BPM) In the same key as the original: Cm This song ends without fade out Duration: 02:40 - Preview at: 01:10. [8], In order to avoid spending a lot of time on mixing, the band and their production team devoted a week to experimenting with different sound setups until they found the perfect arrangement. [24][25], In the 1987 edition of The World Critics List, music critic Joel Whitburn ranked Breakfast in America the fourth-greatest album of all time. [8] The second were eight-track demos recorded at Southcombe Studios in Burbank, California during late April and early May 1978. In addition to the quality music hidden in the grooves, the album cover art gave Breakfast In America a particular charm. At first glance one would think so, but as editor of CoverArt.com I must tell you that this album cover was the first record I ever purchased back in 1980 along with a 2nd album that had also visually grabbed me. Engineer Peter Henderson recalled: "They got along fantastically well and everyone was really happy. instrumental, Ty jsi tam, já jsem tu The cover has no promo writing or stamp either. Roger Hodgson's management has described "The Logical Song", "Breakfast in America", "Take the Long Way Home", "Lord Is It Mine" and "Child of Vision" as 'Roger's songs';[11] however, this apparently does not mean he necessarily wrote them by himself, for Hodgson has credited Davies with writing the vocal harmony on "The Logical Song". Each song was credited to a single musician on the inner sleeve, but on the central vinyl label was printed "Words and Music by Roger Hodgson & Rick Davies", combining the two and confusing the issue of composition credit. "[7] Due to the title and the explicit satirising of American culture in the cover and three of the songs ("Gone Hollywood", "Breakfast in America" and "Child of Vision"), many listeners interpreted the album as a satire of the United States. [1] John Doran of BBC Music said that the songwriting has an "unbeatable quality" and asserted that "any of the ten tracks could have been hit singles". The view featured on the front cover resembles that from an airplane over New York City. There are many conspiracy theories about the 9/11 event, but the one including Supertramp’s album art of Breakfast in America, which was released in 1979, may be the most interesting.. Breakfast in America "[3] Village Voice critic Robert Christgau was less impressed, saying that the "hooky album" evokes "random grunts of pleasure" but lacks emotional substance because of "glib" lyrics and no "vocal personality (as opposed to accurate singing) and rhythmic thrust (as opposed to a beat)". 18 BREAKFAST IN AMERICA Supertramp A&M, 1979 Designer: Mike Doud Photographer: Aaron Rapoport. The twin World Trade Center towers appear as two stacks of boxes, and the plate of breakfast represents Battery Park, the departure point for the Staten Island Ferry. Once, I had another video of this song. Supertramp's members have all insisted that the repeated references to US culture are purely coincidental and that no such thematic satire was intended. Breakfast in America" is the title track from Supertramp's 1979 album of the same name. 15), "Take the Long Way Home" (No. Professional quality. [14] Colin Larkin, writing in the Encyclopedia of Popular Music (2006), said that the "faultless" album "elevated" Supertramp to "rock's first division". The back cover design of the album is also interesting, showing the band sitting in a diner with each one reading a local English or Scottish newspaper from his respective area. People often ask: “What dishes are the most popular?” Now, here's just the instrumental piano. [10] He also said there is a slight possibility that he subconsciously had Rick Davies in mind while writing the lyrics.[10]. The lyrics were originally more bleak, but under pressure from the other band members, Davies rewrote them to be more optimistic and commercially appealing. Wie beim Vorgängeralbum Even in the Quietest Moments , das 1977 erschien, agierte die Gruppe bei der Aufnahme des Albums in ihrem klassischen Lineup zum vierten Mal in der Bandkarriere. It was recorded in 1978 at The Village Recorder in Los Angeles. A deluxe edition was released on 4 October 2010, including a second disc with songs recorded live in 1979, in particular songs not appearing on the live album Paris. [56] [22] Sputnikmusic's Tyler Fisher said that its singles are mostly the highlights because of their "catchy hooks", and found the ballads "absolutely terrible". written by J. John Jackson he members of Supertramp didn't appear on their album covers, says keyboardist Rick Davies, because "we wanted to be around a long time, and we didn't want people watching us getting older. There was a very, very good vibe and I think everyone was really buoyed up by the recordings and A&M's response to them. [7] Hodgson has described the misconception as a parallel to how Crime of the Century (1974) is often misinterpreted as being a concept album. The theory goes that the masons were behind the September 11th attack on the World Trade Center, and that they have left the clue about the event on the album art of Breakfast in America. He struggles and becomes frustrated, until he ultimately gets his break and becomes "the talk of the Boulevard". [8] Billboard writer David Farrell felt that other than Davies' lead vocal the song sounds like a Queen song. [9], "Child of Vision" is the closing track. With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. According to the fellow in the video below, which was influenced by a post on a David Icke conspiracy forum, the Masons were behind the September 11th attack on the World Trade Center. By the 1990s, it had sold in excess of 18 million copies worldwide. Breakfast In America cover, I'm seeing Margo Martindale. written by Rick Davies, Roger Hodgson "[7], This idea was eventually scrapped in favour of an album of "fun" songs, and though Davies initially wanted to keep the title Hello Stranger, he was convinced by Hodgson to change it to Breakfast in America. Billboard hit singles: "The Logical Song" (No. Breakfast in America is highlighted in travel books such as "The Lonely Planet" and "Frommers." [10] Melody Maker journalist Harry Doherty offered a third take on the duo's interactions during the album sessions: "In three days with the band, I don't think I saw Davies and Hodgson converse once, other than to exchange courteous greetings."[7]. It suited the fun feeling of the album. It makes limited use of dynamic range compression and peak limiting, rejecting the loudness war trends of modern CD releases. In 1980, Breakfast in America won two Grammy Awards, including Best Engineered Non-Classical Recording, and Grammy nominations for Album of the Year and Best Pop Performance by a Duo or Group with Vocals. The back cover photo, depicting the band members having breakfast while reading their respective hometown newspapers, was taken at a diner called Bert's Mad House. The back cover photo, depicting the band members having breakfast while reading their respective hometown newspapers, was taken at a diner called Bert's Mad House. Credited to Rick Davies and Roger Hodgson, it was a top-ten hit in the UK and a live version of the song reached No. Of all the 9/11 conspiracy theories floating around out there, this one’s my… favorite. 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